
1. Napping while supervising your domestic duties

2. Napping on the coffee table

3. Continuing to nap on the coffee table

4. Napping in a plastic bag
(while using your handbag as a pillow)

5. Getting caught out napping with your delicates!
Feelings about Fate, Fashion, Felines, Fine Arts & Food

1. Napping while supervising your domestic duties

2. Napping on the coffee table

3. Continuing to nap on the coffee table

4. Napping in a plastic bag
(while using your handbag as a pillow)

5. Getting caught out napping with your delicates!
I recently made the decision to watch all of my ‘new’ DVDs (i.e. the ones I’ve bought over the years and never bothered to even unwrap). The first of these DVDs was Roman Holiday (1953, William Wyler) starring Audrey Hepburn. According to online reports this film is a romantic comedy. However, I didn’t really understand this in the sense of today’s ‘romcoms.’ To me this film was a romantic journey that let a young woman understand her true role in society.

Filmed on location in Rome
Plot (spoiler alert!):
A young European princess (from an unnamed country) named Ann (Hepburn) is taking a whirlwind publicity tour of Europe. One night while she is in Rome she has a tantrum and runs away into the city. She wants to experience ‘real’ life. After acting very drunk she meets an American journalist named Joe Bradley (Gregory Peck). Joe decides to take advantage of Ann so he can produce an exclusive article about it and earn $5000 (in conjunction with his photographer friend, Irving Radovich who was played by Eddie Albert) by showing her the city. Joe lets Ann do everything she’s always wanted to do while on a holiday (she gets her hair cut fashionably short, she smokes her first cigarette, she dines at a street side cafe, and she visits historic places and eats gelato). After 52 hours Ann goes home and ‘reorders’ her assistants – she has learned she is a capable young woman who does not need someone else to dress her. During a press conference the next morning, Ann faces Joe and Irving. Both men indicate they will keep her secret (Irving even hands over the photos he took of their trip as a ‘memento’) and Ann speaks in code to Joe (indicating what might have been if he wasn’t, you know, in line for the throne and he a mere commoner).

The world’s silliest Vespa driver.
No. Really. Her driving was ridiculous.
Roman Holiday introduced Audrey Hepburn to American audiences via this first major role. Hepburn won a variety of awards for her role: Academy Award for Best Actress, BAFTA Award for Best British Actress, Golden Globe Award for Best Motion Picture Actress – Drama, and the New York Film Critics Circle Award for Best Actress.
My copy of the DVD comes with some background documentaries. Apparently the film was shot in black and white to give it a more universal appeal. Who knew? What we do know is that the film was awarded an Academy Award for Best Costume Design, Black and White. And the film works in black and white. You can feel the transitory nature of Ann’s holiday and the scratchy nature of the film. The various tones of costumes come across well in black and white as there is no need for any level of ‘gaiety’ in the colourings. We can see the transformation of Ann via her actions, we don’t need blatant costumed reminders.

Scene at the Mouth of Truth features an impromptu practical joke.
As I said at the beginning, I don’t know if I would class this as a romantic comedy today. It certainly has its romantic parts and comedic parts but not how I expect them to appear. This film is heart warming and certainly makes me reconsider how I view the experiences of royalty today (especially when you consider Charles and Diana were making their kerfuffle at the time this was released).
This is something I’ve been meaning to start for a while now. As I have much more free time (to focus on me – me me me) I thought sooner rather than later was the best time to start working on this list. I will endeavour to update my list as I go. I will pop this list onto its own ‘page’ for future reference. I will also edit this into categories (rather than the jumble it is currently).
The Challenge:
Complete 101 preset tasks in a period of 1001 days.
The Criteria:
Tasks must be specific (i.e. no ambiguity in the wording) with a result that is either measurable or clearly defined. Tasks must also be realistic and stretching (i.e. represent some amount of work on your part).
Why 1001 Days?
Many people have created lists in the past – frequently simple challenges such as New Year’s resolutions or a ‘Bucket List’. The key to beating procrastination is to set a deadline that is realistic. 1001 Days (about 2.75 years) is a better period of time than a year, because it allows you several seasons to complete the tasks, which is better for organising and timing some tasks such as overseas trips, study semesters, or outdoor activities.
My Start Date: 31/1/2010
My End Date: 28/10/2012
Key:
Unstarted
Started
Completed
The List:
This week’s Food Fight Friday (on Saturday) is a little late – whoops. The MrMan and I enjoyed lunch today at a new Gungahlin cafe: Connect Cafe and Bar. Located on the Big W side of the Gungahlin Marketplace, this cafe boasts breakfast (until 11am), lunch (11-2.30pm) and dinner (from 6pm). My expectations were far lower than what we experienced – a pleasant surprise for Gungahlin cafes!


Lemon Lime & Bitters || MASSIVE iced coffee

We were seated in a small alcove downstairs.
Decor featured ‘nests’ around the lights and a rainbow of T2 teas…

…and a spotty wall – teehee

MrMan had the Big Brekky
Apparently it was “really good” (I didn’t try any)

I had the Pan Seared Fish with Beer Battered Chips
I was expecting something battered out of a box
This meal FAR exceeded my expectations – succulent fish and crispy chips

The signage above our table was very appropriate
There was certainly a range of clientele
(Not that I saw a ‘family’…)


Of course the MrMan read || I looked pretty and people watched
I definitely recommend Connect Cafe and Bar to Gungahlin locals. Its close proximity to Woolworths and Big W makes it very accessible. Connect is certainly a step up from the Coffee Club if you are looking for a nice coffee/meal out while getting your groceries! My only issue with Connect was that we didn’t get the customary bottle of water with our menus – we had to ask for it towards the end of our meal. But the serving staff were very attentive (even calling my MrMan ‘Sir’!) and willing to give us all the time we needed to choose and enjoy our meals.
An art school friend has started a bi-monthly collage zine called Collagista – a publication which “hopes to keep it’s finger firmly on the pulse of contemporary collage art across the globe.”1 It features the following collage-related content: works, exhibition reviews and info, essays and exhibition and competition opportunities. From around the world. (Yes, the world exists outside of Canberra.)

Artist: Collagista creator, Johnny
Title: Postcard 03
Text: Postcard for the Cut and Paste postcard competition
Members of the international public are invited to email .jpeg images of their works (with explanatory texts), essays and so on to the creator (Johnny) at collagista@hotmail.com
The zine is available primarily in PDF format but hard copies can also be found in select Canberra galleries and libraries. Each printed edition is assigned an ISSN (international serial number), allowing the zine to be collected and catalogued around the world.
To view the bi-monthly Collagista zine, simply go to their blog and download the PDF!
And now, a little Q&A with the man behind Collagista:
Where did the idea come from?
he idea built up over time. I had been following the work of a number of collage artists for some years, mostly on Deviantart, as well as people I knew in Canberra, such as Franki Sparke (who does incredible collages, and who initially gave me the idea to use collage myself), and had been finding it difficult to keep up to date with the work and projects of so many diverse artists spread across such a vast area (the world is quite big!).
One of the artists whose work I followed, Edvard Derkert, a Swedish artist, put on a show called ‘Cut & Paste’ in Gallery KG52, in Stockholm. I was quite excited about the show for two reasons. Firstly, the work was of great quality, and secondly, the foyer of the gallery was set aside to display postcard collages, which anyone could send in. I told everyone I knew who I thought would be interested, and as I was telling everyone I realised that there are so many artists around the world working with collage who never know about each other. It takes a great deal of energy and time to research upcoming shows and exhibition/competition opportunities, and it is difficult to stay on top of contemporary collage work.
The more I thought about it, the more obvious it seemed that the collage community needed some kind of forum to share information about artist projects, their work, upcoming competitions and exhibitions etc… and a magazine seemed to be a fairly simple method of disseminating the information.
Do you work alone?
I work alone only in that I physically put the magazine together myself, on my dining room table. I think really that the magazine is more of a collaborative affair though, as, I couldn’t keep up to date with all the exhibitions etc which are going on around the world – especially as so many are in countries which do not speak English – without the help of other collage artists.
How did you get all of the international contacts?
Many of the contacts have come from people telling other people about the project. I started by simply sending the first issue out to everyone in my hotmail contact list (assuming, rightly, that friends and family would get on board) and to all the collage artists I was already in contact with. Naturally, all of these people knew others who were interested or who worked with collage, and the magazine was forwarded to them and so on and so forth.
I also continue to search the net to find people who might be interested. Recently I sent an email to the Institue of Contemporary Art in Moscow, asking if any of their students worked with collage and were interested. I had about a dozen responses from students and also found the magazine had been advertised on a number of Russian artists blogs, which in turn added to the contact list.
Where exactly do you distribute hard copies?
Hard copies are distributed in Canberra, in very small numbers, mostly in or around the art school. With the upcoming third issue I hope to be able to take small numbers to local galleries and art stores as well.
Keep an eye out for Collagista!
